“The limits of my language
are the limits of my mind. All I know is what I have words for.”
-- Ludwig Wittenstein, 1953
“Silence is the language of God, all else is
poor translation.”
--Jalāl ad-Dīn Muḥammad Balkh (aka Rumi), 13th
Century Poet
Bay State
Brahmin is a blog about politics—a topic that easily lends itself to the
written word. However, thanks to a few masterful pieces published over the past
week, the limits of language have been weighing on my mind.
The first
piece is a column titled “In
Search of Home” in which Roger Cohen of the New York Times tries to answer the question, “If I had only a few weeks to
live, where would I go?”
Cohen
references an essay in the London Review
of Books in which James Wood asked the
same question of Christopher Hitchens before Hitchens was diagnosed with
terminal cancer. He told Wood that he would not stay in America, but would
return to Dartmoor, “the landscape of his childhood.”
Wood goes on
to write that, “The
desire to return, after so long away, is gladly irrational, and is perhaps
premised on the loss of the original home…Home swells as a sentiment because it
has disappeared as an achievable reality.”
That may well be true, but Cohen’s
description spoke to a sentiment beyond what can be expressed through the
language of loss. The landscape of Hitchens childhood, Cohen wrote,
…was the landscape, in other words, of unfiltered experience,
of things felt rather than thought through, of the world in its beauty absorbed
before it is understood, of patterns and sounds that lodge themselves in some
indelible place in the psyche and call out across the years.
The second piece was Jessica Rassette’s essay
“His Promise Would Not Be Denied,” for the weekly must-read “Modern Love” in
the Times.
In describing her then-ex-boyfriend (now husband’s) response to her insistence that their relationship was over, Rassette wrote, “He loved every footprint I left behind. He kept his dreams of us tucked away, hoarded them like those gas-station receipts he jams into the back pocket of his jeans. He loved and longed. He waited.”
The
two pieces may be about “home” and “love”, respectively, but they are really
about the same thing. They are about a challenge that everyone faces many times
in life—of what feels right to one’s
soul; of where (and with whom) one’s destiny lies.
Someone once told me—in reference to my love
of both New York City and the Commonwealth of Massachusetts—that it was
imperative that I be honest with where loyalties lie and that to be truly at home in one place or the other
required almost every piece of my heart.
I didn’t know
how to respond to that idea then, and I must admit that I still don’t today.
Language—as it often does—fails to provide a useful instrument. How could I
express the tingling of my chest when that distinctive sign comes into view,
welcoming home sons from Hatfield to Hamilton?
How could I express
the feeling of turning the corner of 43rd and 5th Avenue
at twilight—the Chrysler Building illuminated above—and walking on air through Grand
Central Terminal as the ghosts of generations of my family propel me forward, whispering in my ear that I belong under all those stars?
In Self-Reliance, Ralph Waldo Emerson wrote, “To be great is to be misunderstood.” But I don’t think that Pythagoras,
Socrates, Jesus, Luther, Copernicus, Galileo, and Newton were alone in this
scourge. Instead, it seems to me that to be human is to be
misunderstood, or, perhaps more aptly, that to be human is to lack the tools
necessary to be understood—except, that is, for the “tool” of love.
As Rassette notes, “Tom and I might glance
at each other with a weary look that means, ‘Do you love me?’ Neither of us
ever has to answer.”
In the end,
if “speech is a river,” Rumi wrote—a flowing dialogue of the inner-workings of
our mind—then “silence is an ocean”—a seemingly bottom-less repository of
secrets out of sight and far from earshot.
Silence—those thoughts
unspoken, dreams unrequited, tragedies unseen, sentiments unshared—is the “dark
energy/matter” of our world, weighing us down while powering us forward,
to an end we know not of.
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